Indian Cinema
Price: 645.00 INR
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ISBN:
9780198070085
Publication date:
01/02/2011
Hardback
244 pages
Price: 645.00 INR
We sell our titles through other companies
Disclaimer :You will be redirected to a third party website.The sole responsibility of supplies, condition of the product, availability of stock, date of delivery, mode of payment will be as promised by the said third party only. Prices and specifications may vary from the OUP India site.
ISBN:
9780198070085
Publication date:
01/02/2011
Hardback
244 pages
Anil Saari (1945–25)
Suitable for: With well-known film critic Saibal Chatterjee’s Introduction setting the stage for Saari’s writings, this volume will prove rewarding for cinephiles and engaging for students and teachers of film, media, and cultural studies.
Rights: World Rights
Anil Saari (1945–25)
Description
Chatty and informal, this book opens a window to the life and work of some of the legendary figures in Indian cinema. From golden era greats like Raj Kapoor and Dilip Kumar to leading ladies like Waheeda Rehman, Nargis, Rekha, and Shabana Azmi to megastars like Amitabh Bachchan, Shah Rukh Khan, and Mammootty, to present-day movie moguls like Yash Chopra, Adoor Gopalakrishnan, Gulzar, Nana Patekar, and Subhash Ghai—the range of this collection is breathtaking. These interviews and articles by Anil Saari capture a crucial twenty-year period of change in cinema in India, from the 1970s to the mid-1990s. Interestingly, the last part of this volume includes three pieces that provide a retrospective of the 1980s, summing up the highs and lows of that eventful decade in Indian cinema.
Anil Saari (1945–25)
Anil Saari (1945–25)
Description
Chatty and informal, this book opens a window to the life and work of some of the legendary figures in Indian cinema. From golden era greats like Raj Kapoor and Dilip Kumar to leading ladies like Waheeda Rehman, Nargis, Rekha, and Shabana Azmi to megastars like Amitabh Bachchan, Shah Rukh Khan, and Mammootty, to present-day movie moguls like Yash Chopra, Adoor Gopalakrishnan, Gulzar, Nana Patekar, and Subhash Ghai—the range of this collection is breathtaking. These interviews and articles by Anil Saari capture a crucial twenty-year period of change in cinema in India, from the 1970s to the mid-1990s. Interestingly, the last part of this volume includes three pieces that provide a retrospective of the 1980s, summing up the highs and lows of that eventful decade in Indian cinema.
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