The Art of Secularism

The Cultural Politics of Modernist Art in Contemporary India

Price: 1795.00 INR

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ISBN:

9780199453672

Publication date:

07/10/2014

Paperback

220 pages

235.0x165.0mm

Price: 1795.00 INR

We sell our titles through other companies
Disclaimer :You will be redirected to a third party website.The sole responsibility of supplies, condition of the product, availability of stock, date of delivery, mode of payment will be as promised by the said third party only. Prices and specifications may vary from the OUP India site.

ISBN:

9780199453672

Publication date:

07/10/2014

Paperback

220 pages

235.0x165.0mm

Karin Zitzewitz

Rights:  SOUTH ASIA RIGHTS (RESTRICTED)

Karin Zitzewitz

Description

Written in the wake of the widely publicized attacks by Hindu nationalist activists on the late M.F. Husain, India’s most famous artist and a prominent Muslim, The Art of Secularism addresses the entanglement of visual art with political secularism. The crisis in secularism in India, commonly associated with the rise of Hindu nationalism in the 1980s, transformed the meaning of art. It challenged the relationships between modernism, national culture, secularism, and modernity that had been built since India’s independence in 1947.   The Art of Secularism describes how four renowned artists—M.F. Husain, K.G. Subramanyan, Gulammoham¬med Sheikh, and Bhupen Khakhar—developed their practice in an era when secular nationalism grappled with the recent re-enchantment of signs. Combining close readings of these artists’ work with ethnography of the art worlds of Mumbai and Va¬dodara, Karin Zitzewitz describes both the everyday forms of cosmopolitan¬ism practiced by figures like prominent gallerist Kekoo Gandhy and the increasing vulnerability of art world spaces to cultural regulation. She also presents the shifting conditions of the production and exhibition of art with¬in the particularly urgent, varied, and sophisticated public debates about secularism in India, in which artists have been increasingly prominent interlocutors.

Karin Zitzewitz

Table of contents

 Acknowledgments

List of Illustrations
Introduction
 
Chapter One 
Intention, Artistic Subjectivity, and Citizenship:
M. F. Husain
 
Chapter Two 
The Modernist Icon and Visual Culture:
K. G. Subramanyan
 
Chapter Three 
Cosmopolitanism in the Art World of Bombay-
Mumbai: 
Kekoo Gandhy
 
 
Chapter Four 
The Everyday Life of the Communalized City:
Gulammohammed Sheikh
 
 
Chapter Five    
An Artist's Claim to Truth:
Bhupen Khakhar 
 
Conclusion 
Notes 
Bibliography
Index

Karin Zitzewitz

Features

  • An in-depth study of the interlink between art, politics, and religion in contemporary India
  • A major contribution to the disciplines of politics, art history, anthropology, and visual-cultural studies
  • Contains over thirty colour illustrations that aptly help understand the arguments presented

Karin Zitzewitz

Karin Zitzewitz

Description

Written in the wake of the widely publicized attacks by Hindu nationalist activists on the late M.F. Husain, India’s most famous artist and a prominent Muslim, The Art of Secularism addresses the entanglement of visual art with political secularism. The crisis in secularism in India, commonly associated with the rise of Hindu nationalism in the 1980s, transformed the meaning of art. It challenged the relationships between modernism, national culture, secularism, and modernity that had been built since India’s independence in 1947.   The Art of Secularism describes how four renowned artists—M.F. Husain, K.G. Subramanyan, Gulammoham¬med Sheikh, and Bhupen Khakhar—developed their practice in an era when secular nationalism grappled with the recent re-enchantment of signs. Combining close readings of these artists’ work with ethnography of the art worlds of Mumbai and Va¬dodara, Karin Zitzewitz describes both the everyday forms of cosmopolitan¬ism practiced by figures like prominent gallerist Kekoo Gandhy and the increasing vulnerability of art world spaces to cultural regulation. She also presents the shifting conditions of the production and exhibition of art with¬in the particularly urgent, varied, and sophisticated public debates about secularism in India, in which artists have been increasingly prominent interlocutors.

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Table of contents

 Acknowledgments

List of Illustrations
Introduction
 
Chapter One 
Intention, Artistic Subjectivity, and Citizenship:
M. F. Husain
 
Chapter Two 
The Modernist Icon and Visual Culture:
K. G. Subramanyan
 
Chapter Three 
Cosmopolitanism in the Art World of Bombay-
Mumbai: 
Kekoo Gandhy
 
 
Chapter Four 
The Everyday Life of the Communalized City:
Gulammohammed Sheikh
 
 
Chapter Five    
An Artist's Claim to Truth:
Bhupen Khakhar 
 
Conclusion 
Notes 
Bibliography
Index

Read More